The B-Side: Elsa Dorfman’s Portrait Photography review – ” Errol Morris’s homage to Polaroids

At the outset, Errol Morris 's new film The B-Side: Elsa Dorfman's Portrait Photography may seem to be the minor, ancillary work that the title implies. For a man that has cultivated a reputation as a purveyor of meticulous investigative documentaries such as The Thin Blue Line and The Fog of War , this looser study of a friend feels, on the surface, lightweight.

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